In the late 1920s, when Leonard Reed and Willie Bryant were with the Whitman Sisters troupe on the T.O.B.A. circuit, they danced what they called “Goofus” to the tune Turkey in the Straw. The routine consisted of standard steps: eight bars each of the Double Shuffle, the Cross Over, Tack Annie (an up-and-back shuffle), and Falling Off a Log.
In the early 1930s, the Shim Sham was performed on stage in Harlem at places like Connie’s Inn, Dickie Wells’s Shim Sham Club, the 101 Ranch, the LaFayette Theatre and the Harlem Opera House.
At the end of many performances, all of the musicians, singers, and dancers would get together on stage and do one last routine: the Shim Sham Shimmy. Tap dancers would perform technical variations, while singers and musicians would shuffle along as they were able.
For example, in 1931 the flash dance act “The Three Little Words” would close their show at Connie’s Inn with the Shim Sham, and invite everyone to join in. According to Joe Jones “the whole club would join in, including the waiters. For awhile people were doing the Shim Sham up and down Seventh Avenue all night long”.
According to tap dancer Howard “Stretch” Johnson the word “Shim” was a contraction of the term “she-him”, a reference to the fact that the female chorus line dancers at the 101 Ranch were played by men.
At the Savoy Ballroom, some lindy hoppers did the shim sham as a group line dance, without the taps. A bunch of dancers would just jump up and start doing the shim sham on the side of the ballroom, over in the corner. Although a few people might join in, almost everybody else kept on dancing without paying any attention to it.
In the mid-1980s, Frankie Manning introduced the shim sham at New York Swing Dance Society dances, and he also created a special version of the shim sham for swing dancers.
Frankie Manning’s version of the shim sham really caught on and it’s now done at swing dances all over the world.
Where to learn:
some Shim Shams later, it’s looks like this ….